Showing posts with label Houston. Show all posts
Showing posts with label Houston. Show all posts

4.13.2014

Roundup: Texas, The Early Years

This is where we moved into our first home, found important work that we enjoy and people, too. In Texas, I became an adult maybe, learned to network, found mentors, and managed to succeed through another round of academic applications while Alex published his first book, impressing artists statewide. We traveled widely around Texas, from one end to the other, and to our neighbors, New Mexico, New Orleans, and Latin America. And of course, probably my favorite thing about this strange land, the food: strong flavors, queso, Topo Chico, fish tacos, spicy everything, and always, pan dulce. Many of these were new to me! Here's to the next several years we've signed up for: in Dallas, the one place we have yet to discover, and where I'll be working toward my PhD.


New in town, October 2012. Exotic flora.

The East End in Houston. Wild colors and Western wear.
Oak Tree canopy on my favorite street. 

My first project at the Museum of Fine Arts, Houston: Winterhalter and Worth in Hirsch library.
Road trip West, Hill Country/Central Europe of Texas.


Enchanted Rock



San Antonio

Soo Sunny Park at Rice Gallery

Marfa, Texas


7.21.2013

The Man Without A Past, 2002, Wins My Heart

This summer is magnificent in some ways. Although we don't have glamorous travel plans and the days are sometimes too long, too hot, there are little treats to be had. I've shut off various social media for a refreshing peace which is turning out to be a very nice treat. My museum projects are interesting and intellectually satisfying. Every evening we have a twilight bike ride. Summer rain in Houston is better than anywhere I've ever been. Sometimes there is a magical rain that sprinkles down while the sun is shining and at night the lightning shows are terrific. A gigantic sunflower has sprouted up in our backyard. We have a backyard! 

After tonight's bike ride we made a spicy batch of iced chai, homemade pizza dough, and chocolate chip habañero almond cookies. Oh and we watched this incredible piece of art which made me just so damn happy:




All I want to do is watch films written and made by Finnish director Aki Kaurismäki. There are a million reasons why. Find out for yourself and enjoy.

4.21.2013

As If By Enchantment: Surgery, Tragedy, and the Cure

I was scheduled for an April surgery, over the telephone by a sweet secretary named Cherry, while visiting San Francisco. Majorly bummed, the sunny day turned dark for me. However, the experience ended up being much richer than I had imagined. Here are the three phases and some tips I learned.

SURGERY
1. Attempting to control anxiety revolving around the unknown. I didn't worry much until close to The Day. I unleashed my powers when I finally had my pre-op visit. During this visit, which lasted four hours, I was asked repeatedly about my will. Did I have one? No. The many details of the day gave me a slight meltdown, which ended up with the good hearted Cherry comforting me in her office.

My doctor's office: collection of protective amulets and his wall of delivered babies. Good signs.






Right before I was admitted to the hospital, a new friend, experienced in surgery, kept me completely distracted. She accompanied me to the library, to collect my recovery reading, talked endlessly with me about art and art history over ice cream, and wandered with me around shops looking at pretty things. At one point I looked at my watch and seven hours had gone by. This distraction was key for keeping anxiety at a healthy low and everyone should do this kind deed if they can. 

2. Create zen like moment by moment strategies for maintaining adult integrity as you enter the hospital, get compression stockings put on you, and prepare to be temporarily put to sleep and be cut open. Since I had never had surgery before I had built a vivid image of what the operating room would look like and I did not want to see, but neither did I particularly want to be put to sleep. Conundrum. I imagined that the OR would look basically like a morgue or autopsy room, 80's horror film style, and I imagined my bright red blood gushing everywhere. Even though they took my glasses off before they wheeled me in, I could tell that the room looked like it had been yarn bombed. I was not expecting the place to be so colorful. This was my last thought and it was a comforting one.

3. Waking up in a room full of other people doing the same. We were all cranky in various stages of coming out of anesthesia. In clear plastic detaining beds, it all felt similar to the nursery ward. According to the nurse tasked with watching over all of us babies, I had been trying to climb out of my restraints even while still sedated. She told me this story after I repeatedly yelled out "where am I?" with my breathing mask thing still on.

It's very surreal to wake up with a bunch of fresh wounds and bruises and not remember how they got there. Trying to recover the hours of my life that I could not account for was only possible by refraining from any painkillers. While the pain was not blinding, it was uncomfortable enough to remind me of reality and what had taken place during those several dark hours. For reasons I can't fully explain, I wanted that time back. Shaking the lingering effects of the anesthesia was the biggest learning experience. It stays in your system and makes you crazy sad, which I didn't know in advance. Tears are shed inexplicably, frequently. Every bit of encouragement, cheese ball or other, really knocks the drug out of you. Loving messages of all kinds work far better than Morphine. In the future whenever someone has to submit to surgery, I'll know just what they need. 

TRAGEDY
I was already home when I heard about the situation in Boston and Cambridge, where I lived for three years, 2009-2012. Although I was still weak and recovering, the unfolding events completely refocused my emotional state as following it was one of the most heartbreaking experiences I've had in years and it still torments me, but not for the most obvious reasons. There are many tragic situations around the world and our own country, but when something happens in a very familiar place, the impact is much stronger. Beyond this, seeing the remnants of an attack in this familiar place reactivated my own quieted memories of another intimate experience from my past, September 11. I remember so many small details from those days, the movie I watched the night before (Alphaville at a cute bar), the call right before I went into the subway entrance (my mother, stopping me with the news), the smoke, the smell, the debris floating across the river, the stunning silence and zombified survivors stumbling around with confusion in Brooklyn. There was no other thought on anyone's mind and no one wanted to say much. Together with a close friend, we escaped to Coney Island where we sought out the tranquility of ocean waves. I can't remember how long it took for a routine to resume, but the memory of my first few days back in Manhattan was revived when I saw the pictures of Boston, completely empty of people or traffic. Those images, maybe more than the marathon images, struck me with force.

I had felt that my surgery was a kind of hostage like invasion, similarly, my response to this was that my city, my home (one of them and my most recent), was under attack, as if the city itself were a person that I loved. Boston is a symbol of many things for me. Number one: graduate school with all of its good, bad, depending on the day, truly exhilarating or devastating moments, was a major milestone filled with bigger milestones. While I explored Boston frequently, I spent most of my time on the other side of that magnificent Charles River in Cambridge and Somerville. These towns are both tiny and run into each other so people affectionately use the term Camberville. That's about exactly where I lived.

Washington Street in Union Square, first days.
Last days (raising money for our Grand Tour. Spot the sun lamp for sale! Required for surviving winter in the north).

On our first visit to Cambridge I was not impressed at all, partly because I was sad to leave Philadelphia, partly because it was cold and rainy and ugly when we looked at apartment possibilities. But I really wanted to go to Tufts and we did find a cute place on the second visit. The area, with all of its different squares, is full of memories for me, of course I eventually came to love the city. I had many rituals with many people, as we were academics, meeting at cafes was a big one. Almost all of my old friends from New York, Philadelphia, California, and Australia came to visit multiple times so that our home and our neighborhoods became familiar to them as well.

Many meals had here: Sofra, on the border of Cambridge and Watertown.

We built a fantastic network of new friends (difficult, but rewarding). We spent a lot of time seeing films at Kendall Square, near MIT, at Harvard, the Brattle, on our back porch. Wandering around our own neighborhood, Union Square, watching it evolve, weaving our way into its fabric. I could go on since I'm obviously homesick for Cambridge right now.

When the action was re-ignited and crossed over toward my side of the river, waves of emotion washed over me. Interviews in front of the mundane backdrop to our years there elicited powerful feelings of surreal helplessness...I am far away, still deeply connected to that community, but unable to help support my city in physical solidarity. I wanted to flee my recovery unit and get back to Cambridge, going into the tornado this time.

The street where the brothers lived in Cambridge, only three blocks from my old apartment, served as a short cut to many meetings at Darwin's Cafe and the meet-up spot for my husband and I. He taught across the street at CRLS, where these guys went to school. Just outside of Cambridge, in Watertown, my little Armenia, where I've had many cultural adventures, the manhunt ensued. I found myself sympathizing for the living suspect, the antagonist, not evil because I don't believe that evil exists, but human, deeply flawed as he is. Of course I realize that he willingly hurt and killed people, but I imagine him as one of Alex's students, like the ones interviewed to describe their schoolmate. Even though his future is destroyed, doubly tragic, I'm hoping that he's treated with humanity. I suppose in a way that my reaction is also a reaction to the many bloodthirsty people who would love to see an eye for an eye and public torture for the offense. I don't believe in the death penalty and I demand equal rights for everyone. For now I am relieved that the situation is under control and the people of Boston, who united instantly, can repair.

While I was fixated on this event, maintaining contact with our beloved Boston brethren, and worrying about others instead of myself, I managed to recover fallow strength. Finally feeling bold enough to resume life outside the sick room was a great thing. After all, the small act of going outdoors seemed like a rebellious luxury after talking to friends that were unable or afraid to do so during the week.

To celebrate, we checked out Record Store Day. Even though I'm not any kind of collector, I like the atmosphere and I want to keep record stores open. There was a long line at Cactus Music, which I wasn't expecting, and a really fun DJ. As a treat I picked up this red vinyl re-issue from 1987, number 1254 of 3500. One of my favorite Cure songs is on here, Just Like Heaven. Dreamy.











3.10.2013

Azerbaijani Apotropaic





In the syncretic Muslim belief of Lahij (located in northern Azerbaijan), the mummified cat, embedded in this wall above the samovars, is thought to ward off evil. There is also a history, around the world, of placing mummified cats within the walls of your home for the same reason. 

Azerbaijani, located in the southern Caucasus, became part of the Persian Empire from the 6th century BC, and the ethnic groups speaking dialects related to Persian started to migrate up in the mountains. This move accelerated under the Sassanians (3rd to 7th centuries AD). Lahij is well known for its extensive range and skills in crafts making. Someday I hope to visit. For now I can check out the Azerbaijan Cultural Center which I recently discovered in my neighborhood!

The religious communities there today range from Persian, Sunni, Shiite, Armenian Christian, to Mountain Jews. Syncretism describes the fusion of these and other diverse religious beliefs. 

Read more about Lahij here.

10.30.2012

This or This.

If you're around Houston this weekend and like creative stuff, you should take part in Art Workshop: Dyeing in America at Bayou Bend. Make your own organic pigments with textile expert Katie Knowles! Ever since my short stint at the Fabric Workshop and Museum where I created unique chemical dyes in the dye lab, I've been interested in mixing colors. Our summer adventure included a trip to Ikonium, a felt making workshop, where they also make their own organic dyes for wool and silk. The end results are gorgeous. I'm totally going to start doing this on my own. Look at these colors made from onion skins!




Oh man I really wish I were going to this dye workshop (go for me and report back!), but instead I am fulfilling a long standing dream of attending this...

Fourth Annual Anne d’Harnoncourt Symposium - The Art of Sculpture 1100-1550: Sculptural Reception.


Yes! Two days of medieval madness. 

The University of Pennsylvania (Philadelphia), l'Institut national d'histoire de l'art (Paris), and Philadelphia Museum of Art announce a series of conferences and study days organized over the course of 2012 to advance the study of medieval sculpture:

1. January 2012: Paris, Institut national d'histoire de l'art (30-31 January) (with study sessions at the Musée du Louvre)
2. May 2012: Kalamazoo, Medieval Institute Annual Conference
3. November 2012: Philadelphia, Phila. Museum of Art & Univ. of Pennsylvania(with study sessions at the Philadelphia Museum of Art and Glencairn Museum)

I didn't make it to the first two conferences, but the third is the most interesting to me anyway. 

I'm especially excited about this lecture: They Are All the Work of Artists (Jer. 10, 9):  The Romanesque Portal as Liturgical Performance, Manuel Castiñeiras, Professor, Universitat Autònoma de Barcelona. I can't wait to hear what this Catalonian scholar has to say regarding the expression of liturgical performance in Romanesque portals. I wonder if he will mention my beloved Ripoll, which has sadly been ( temporarily!) abandoned by me. I have very high hopes for this conference as it, in many ways, falls in line with my QP topic from Tufts. Now that my library has arrived from Boston I can get back into inspired research and finally open that major book I actually bought at Ripoll.



¡¡Me at the Ripoll portal!! September, 2011.

To get in the medieval spirit and because it's Halloween, we watched Army of Darkness last night. It's fantastic and Bruce Campbell is dreamy.

Army of Darkness, 1992.

10.16.2012

Increase Your Quality of Life: Good Stuff in Houston and Los Angeles.

The last three weeks have been full of cultural adventures. Here are some recommendations and interesting things to inspire you.

HOUSTON:
This weekend we met up with a friend of mine from Philadelphia. We go way back to pre-graduate school German classes on Spring Garden Street. These days, she's in a PhD program close by in Austin. Hooray for old friends together in new cities! Together with her sweet Texan boyfriend, the four of us (two art historians and two mathematicians!) wandered around H-town.

On the stereo:
Dave "Diddlie" Day / Tony Ray Combo - Blue Moon Baby, 1957. Love that organ.

Drinks:
Pliny’s Tonic with Gin, Lime, Cucumber, Mint, Habanero Tincture. In my favorite neighborhood, Montrose, at Anvil. I love spicy drinks (recall my ongoing obsession with chai). For great Mexican and a KILLER spicy drink, I also recommend Ninfa's On Navigation for a spectacular mango margarita with habanero. There are no better drinks anywhere.

Art:
We were excited to catch The Artist is Present, a documentary on the artist Marina Abramović, at the MFA Houston. Claire, Alex, and I had seen, and were stunned by, her retrospective show at the MoMA in 2010.


It's an incredible documentary, she's an incredible woman, and everyone should watch it. I still can't believe I witnessed this art historical milestone. Just thinking about it gives me goosebumps. 

Afterward we looked at Constructed Dialogues: "Concrete, Geometric, and Kinetic Art from the Latin American Art Collection." The mathematicians loved it. Thanks to our awesome curator, Mari Carmen Ramirez, Houston has a super, fantastically extensive Latin American art collection. Read more about dynamo Ramirez and her career trajectory here. 

Next stop: the Menil, one of my favorite museums, for the Silence exhibition. This show had a kind of connection to the Abramović doc. Her idea for the in-museum performance, "The Artist is Present" at the MoMA, came from an earlier ongoing performance piece, "Night Sea Crossing" from the 1980's. Together with her collaborator and lover, Ulay, Abramović sat for days on end, in different locations, with no talking, no eating, no moving. One of the major points in her most recent performance was to maintain silence and stillness in order to slow time down and enhance and uncover the feelings created by the experience. The sustained eye contact and shared physical presence of another person, with no talking or moving or any other diversion, has the potential to shock the human system. At least those humans that are accustomed to short attention spans and overindulgence in sensory exploration. For me, even watching the performance on video is viscerally jarring and moving as it intensifies the minutiae within silence and stillness. 


Night Sea Crossing, 1981.

The curated works at the Menil, with the theme of Silence, often evoked Jacques Derrida's concept of sous rature (under erasure) in which words or images that are crossed out are even more enhanced. 

Many of the artists represented wished to include silence as a valuable medium, especially the composer John Cage. The exhibition coincides with and celebrates what would have been his 100th birthday. Cage thought that the absence of sound or conventional music opened up a deeper perception in listening. So the partial excision or layering over of text, music, imagery, places a greater focus on the experience of reading, hearing, looking. In paintings Jasper Johns called this as "additive subtraction." 

I was thrilled to see and interact with Robert Rauschenberg's seminal White Paintings from 1951 which inspired John Cage's 4'33" and perhaps Abramović as well. Works by the three artists involve the participation of audience.

As usual taking in all this creative output made us hungry. We drove a few minutes downtown to Bombay Pizza. Yes! Italian and Indian together. Best pizza: Mr. Nehal's (tandoori paneer with bell peppers, red onions, mozzarella and Bombay pizza sauce, topped with fresh ginger). The pizza crust was thin and crispy and coated with black sesame seeds. I'm obsessed with sesame seeds in all iterations from Japanese to Middle Eastern to NY bagels. 

LOS ANGELES:
Last week we visited Los Angeles mainly for a wedding, which included a mariachi band and Brazilian dancers, but of course we fit in some cultural explorations. I love LA so much.


Curious X-ray Giraffe Deli in LA.

On the stereo: 
Nothing. Our super cheap rental had no radio at all. 

Sights:
On our first night we stopped off to see the Walk of Fame and all those handprints at Grauman's Theater. I'm glad we went after dark, that's when it gets really atmospheric. We agreed that walking around those old prints and signatures was totally creepy. 

The next morning we headed straight to Malibu (or Pacific Palisades) to see the Getty Villa. 


Ancient Greek Vase with proto-animation style, Getty Villa.
Fayum Period Sarcophagus Portrait

The Villa, filled with thousands of antiquities, features reproductions of ancient Roman architecture and gardens. They had an interesting exhibition called The Last Days of Pompeii. The show mixes works from all over the timeline, including Warhol, B movie footage of ancient Rome, and paintings from the turn of the century inspired by the novel of the same name by Edward Bulwer Lytton (1884). I also learned about Gradiva, a novel by Wilhelm Jensen. The concept behind this is fascinating and I'm looking forward to reading his book. 

Written in 1903, Gradiva is the story of Norbert Hanold, an archaeologist who becomes obsessed with the image of a young woman in a classical marble relief that he sees in a Roman museum. Harold names the woman in the relief Gradiva, the girl splendid in walking.


Overcome by longing for this woman and consequently in a delusional state of mind, Hanold travels to Pompeii in search of her. In Pompeii, believing that he has traveled back in time, he locates the woman whom he believes to be Gradiva, but who is actually a childhood friend of his from Germany.  This woman, understanding what is happening to Hanold, helps him by accepting it fully and playing the role which he has assigned to her. 

The concept of Gradiva served as a muse to many of the Surrealist artists and writers. It reminds me of some of the Latin American magic realism books I've read by Julio Cortázar and Márquez and that other one about the mysterious gypsy girl. I can't refer to my library because my entire collection is STILL in storage. Fine.

I haven't seen Ruby Sparks yet, but it looks like a cute, modern version of similar concepts. Compelling. Plus, Steve Coogan! I'm in.


Ruby Sparks, 2012.

Toward the beach! Culver City: The Museum of Jurassic Technology. 
This place was highly recommended to me by a Tufts colleague/LA native. I had no idea what to expect and my mind was blown. It's the kind of thoughtful, genius museum that I dream about and obsess over. I don't want to say too much about it because the mysteriousness is part of the experience. Amazing. Amazing. Go.

In one room we saw The Floral Stereoradiographs of Albert G. Richards. On the wall were several pairs of special glasses which when worn made the floral images 3D. All the while dramatic music played. I was the only person in this claustrophobic gallery draped with black velvet. The combination of the waving ghost flowers, reaching toward me from all around, and the music, scared the hell out of me. I loved it. How many times have you ran skittishly from a gallery? Not counting the Mütter Museum with its saponified lady.


Star Magnolia.
Once you make your way through the absolutely fascinating galleries, you are rewarded with a staircase ascent, lit by sconces with actual candles (fire in a museum gave me a shock), leading to a cozy tea room with a samovar and plates of cookies. Totally charmed, we took our tea and cookies out into the aviary courtyard. WHAT. 


The Museum of Jurassic Technology, LA.
Just go, you'll be so happy. Afterward, go to Santa Monica for tacos drenched with spicy red sauce at Tacos Por Favor and pumpkin pie and decadent chai at Urth Caffe. 

We also fit in some important tourist sites: Little Tokyo for some streetside Japanese octopus balls and fresh red bean cakes, the house where Nightmare on Elm Street was filmed, the house where Michael Jackson's Thriller video was shot, a late night, first time visit to Amoeba Records (where I found one very special rare LP, which I am so so so excited about)...



Together with a couple more formerly Philadelphian friends, we finished the evening at the Silent Movie Theater for a midnight screening of Argento's Inferno.

Incredible underwater scene in Dario Argento's Inferno, 1980.









MORE NOTABLE FOOD: 
Probably my favorite was Viet Noodle Bar in Atwater Village. I tried their house made black sesame soy milk and wished I could swim in a sea of it. The other stuff was great too, white fish with turmeric (a delicious anti-bacterial wonder spice) and noodles, jack fruit everything, tofu bahn mi. I really wanted to go back another time, but there were too many places to try. We had exceptional Japanese, Thai, Mexican, six times, and Californian cuisine. Also LA has the best tea selection and presentation of any other city so far, but I still haven't been to England or Asia (Major), so maybe my opinion will change. 

Tomorrow we're off again to another wedding, this time in New York. Planning my art/food tour (and wedding speech for an audience of 350, yikes). Ciaociao.